This is an old rag. It is characterized by the use of Komal Re and Komal Ni. This mode does not belong to any of the 10 thats put forward by Bhatkhande; however for some inexplicable reason, he ascribed this rag to Bhairav That. Often times, this rag is referred to by its south Indian name of Chakravaka. This is an early morning rag. For those who are still inclined towords the Vadi / Savadi theory it has been suggested that Ma is its vadi and Sa as its samvadi.
Ahir Bhairav is very well known through old film songs such as "Pucho Na Kaise" and "Meri Bina Tum Bin Roye Sajana". There are actually so many film songs in Ahir Bhairav that it is not really possible to go over them here.
There are two approaches to this rag (Rao 1980). The first type omits Ni in the arohana: it is therefore shadav - sampurna. The second approach does not omit any note; therefore it is sampurna - sampurna. However, since no other rag shares the same modality, one need not worry too much about impinging upon a differnt rag.
Sampurna - Sampurna (disputed) - (general discussion of jati)
Early Morning - (general discussion of time and rag)
Chakravaka (not one of Bhatkhande's thats) - (general discussion of that)
Sa - Pa - (general discussion of drone)
For more information check out "Elementary North Indian Vocal"
Dr. Vasantrao Deshpande- Raga Ahir Bhairav
Sanjeev Abhayankar Raag Ahir Bhairav 1/3
Sanjeev Abhayankar Raag Ahir Bhairav 2/3
Sanjeev Abhayankar Raag Ahir Bhairav 3/3
Abhik Mukherjee, sitar, Raag Ahir Bhairav
AnatoAli (sitar) - Fazal Qureshi (tabla)Riga 1995
Ahir bhairav aalaap
Gurdev Singh Raga Ahir Bhairav
Raag Ahir Bhairav- Alap
Albela Sajan Aayo by Rahul Deshpande (Part 1)
© 1998 - 2017 David and Chandrakantha Courtney
For comments, corrections, and suggestions, kindly contact David Courtney at [email protected]