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Rag Desh

by David Courtney working tools

Description

Desh is a very beautiful and romantic night-time rag.

This rag presents major problems for anyone attempting to perform it in a pure fashion.  The major difficulty arises from its modality.  It uses all seven notes and allows for there to be two nishads.  This forces Desh to impinge upon a number of other rags such as Khammaj, Tilak Kamod, and Sorat.  Attempting to perform Desh without impinging upon these other rags is like trying to move around in a crowded second class train compartment.  It is NOT an easy task.

This obvious difficulty is addressed in a delightful fashion.  There is a strong tendency to perform Desh in lighter styles, such as dadra, or thumree, where impinging upon other rags is not only acceptable, it is de rigueur.  Therefore, if performing Desh is like a crowded second class compartment, then it is a second class compartment where everyone there is your relative and you are going to a wedding function.

There are a number of famous film songs based upon Desh.  Probably the most famous is Vande Matram (the old version), but a number of other popular film songs are there.  A few examples are: “Gori Tore Naina, Nainava Kajar Bin Kare Kare” (Main Suhagan Hun), or “Dukh Ke Ab Din Bitat Nahi” (Devdas).



Arohana

Ascending structure for Desh

Ascending Structure

Ascending structure for Desh

Alternative Ascending Structure(general discussion of arohana)(general discussion of notation)


Avarohana

Descending structure of Desh

(general discussion of avarohana)


Jati

Audav / Sampurna – (general discussion of jati)


Vadi

Re – (general discussion of vadi)


Samvadi

Pa – (general discussion of samvadi)


Time

Late Night – (general discussion of time and rag)


That

Khammaj that – (general discussion of that)


Pakad

pakad for Desh

(general discussion of pakad)


Drone

Sa – Pa – (general discussion of drone)


Popular Songs

Film Songs in Rag Desh


For more information check out “Elementary North Indian Vocal: Vol 1” and “Elementary North Indian Vocal: Vol 2”



Selected Video



Other Sites of Interest

Indian Classical Music: Tuning and Ragas

Modes and Ragas: More Than just a Scale

Emotional responses to Hindustani Raga music: The role of mus­ical struc­ture

Automatic Raga Recognition in Hindustani Classical Music

Patrick Moutal. A Comparative Study of Selected Hindustānī Rāga-s based on Contemporary Practice

Automatic Tonic Identification in In­dian Art Music: Approaches and Evaluation