Tabla DatabaseHomepage > Instrumental Music > Tabla Composition Database > 8/16 Beat Compositions > This Page
| TYPE | TALA | GHARANA | COMPOSER | SUBMITTER | DATE |
| Gat | Tintal | -na- | -na- | Subdhadeep Gupta | 08/11/98 |
| COMPOSITION | |||||
Bhari Dhaa- GiRa NaGa Tak- -- Dhaa- GiRa NaaGa Tak- - - - - Dhaa- GiRa NaaGa Tak- -- Dhin- Dhaa- GiRa NaaGa Dhaa- TeTe GiRa NaaGa Dhin- Dhaa- GiRa NaaGa Dhaa- TeTe GiRa NaaGa GiRa -Na Dhaa- TeTe GiRa NaGa GiRa -Na Dhaa- TeTe GiRa NaaGa Dhaa- TeTe GiRa NaaGa TiTa- - - - - TeTe DheRe DheRe GiRa NaGa DheRe DheRe GiRa NaaGa TaKe TeTe Kran -- Khali Taa- KiRa NaaKa Tak- -- Taa- KiRa NaaKa Tak- - - - - Ta- KiRa NaaKa Tak- -- Tin- Ta- KiRa NaaKa Ta- TeTe KiRa NaaKa Tin- Ta- KiRa NaaKa Ta- TeTe KiRa NaaKa Gira -Na Dhaa- TeTe GiRa NaaGa GiRa -Na Dhaa- TeTe GiRa NaGa Dhaa- TeTe GiRa NaaGa TiTa- - - - - TeTe DheRe DheRe GiRa NaaGa DheRe DheRe GiRa NaaGa TaKe TeTe Kran -- |
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| COMMENTS | |||||
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"The tak stroke (occuring in the first line and 6 times in the entire composition) is the dry chop stroke on kinar. Kran - the last sound on each section (bharee and khali) is a swift flam combination of Ke (on bayan) and Na on tabla." - Subhadeep Gupta |
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