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| TYPE | TALA | GHARANA | COMPOSER | SUBMITTER | DATE |
| Kaida | Tintal | Delhi | Keramatullah | Durix Nael | 03/05/99 |
| COMPOSITION | |||||
1st VISTAR x | Dhaa-TiRiKiTiTaKa DheRiDheRiKiTiTaKa Dhin DheRiDheRiKiTiTaKa | 2 | Dhaa-TiRiKiTiTaKa DheRiDheRiKiTiTaKa Dhaa-TeTeGheReNaaGhe Tu-Naa-KiTiTaKa | O | Taa-TiRiKiTiTaKa TeRiTeRiKiTiTaKa Tin TeRiTeRiKiTiTaKa | 3 | Dhaa-TiRiKiTiTaKa DheRiDheRiKiTiTaKa Dhaa-TeTeGheReNaaGhe Tu-Naa-KiTiTaKa | 2nd VISTAR x | Dhaa-TiRiKiTiTaKa DheRiDheRiKiTiTaKa Dhin - - - DhehRiDheRi Kat Tet | 2 | DheRiDheRiKiTiTaKa Dhaa - - - DheRiDheRi KiTiTaKaDhin - - - Tu-Naa-KiTiTaKa | o | Taa-TiRiKiTiTaKa TeRiTeRiKiTiTaKa Tin - - - TeRiTeRi Kat Tet | 3 | TeRiTeRiKiTiTaKa Taa - - - TeRiTeRi KiTiTaKaDhin - - - Tu-Naa-KiTiTaKa | 3rd VISTAR x | Dhaa-TiRiKiTiTaKa DheRiDheRiKiTiTaKa Dhin - - - DheRiDheRi DheRiDheRiKiTiTaKa | 2 | TiRiKiTiDhin - - - DheRiDheRiKiTiTaKa Dhaa-TeTeGheReNaaGhe Tu-Naa-KiTiTaKa | o | Taa-TiRiKiTiTaKa TeRiTeRiKiTiTaKa Tin - - - TeRiTeRi TeRiTeRiKiTiTaKa | 3 | TiRiKiTiTin- - - TeRiTeRiKiTiTaKa Dhaa-TeTeGheReNaaGhe Tu-Naa-KiTiTaka | CHAKRADAR (Tihai) (Short form) [Dhaa-TiRiKiTiTaKa DheRiDheRiKiTiTaKa (Dhaa-TeTeGheTeNaaGhe Tu-Na -KiTiTaKa Dhin-------)x3]x3 CHAKRADAR (Tihai) (written out) X | Dhaa-TiRiKiTiTaKa DheRiDheRiKiTiTaKa Dhaa-TeTeGheTeNaaGhe Tu-Naa-KiTiTaKa | 2 | Dhin Dhaa-TeTeGheTeNaaGhe Tu-Naa-KiTiTaKa Dhin | 0 | Dhaa-TeTeGheTeNaaGhe Tu-Naa-KiTiTaKa Dhin Dhaa-TiRiKiTiTaKa | 3 | DheRiDheRiKiTiTaKa Dhaa-TeTeGheTeNaaGhe Tu-Naa-KiTiTaKa Dhin | X | Dhaa-TeTeGheTeNaaGhe Tu-Naa-KiTiTaKa Dhin Dhaa-TeTeGheTeNaaGhe | 2 | Tu-Naa-KiTiTaKa Dhin Dhaa-TiRiKiTiTaKa DheRiDheRiKiTiTaKa | 0 | Dhaa-TeTeGheTeNaaGhe Tu-Naa-KiTiTaKa Dhin Dhaa-TeTeGheTeNaaGhe | 3 | Tu-Naa-KiTiTaKa Dhin Dhaa-TeTeGheTeNaaGhe Tu-Naa-KiTiTaKa | X Dhin |
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| COMMENTS | |||||
| "This was given to me by my teacher J.P. Boistel. Emphasis should be made on Dhin and Tin. Keramatullah wrote initially the Dhin and Tin as Dha'and Ta'. (to be sung Dha and performed Dhin) When performing the patterns DeRiDeRi in fast tempos, only the first De is played in combination with the left-hand stroke Ghe, as this is sufficient to maintain the impression of resonance. In the tihai, Keramatullah performs Tu as a resonant bol in combiantion with Ghe." - Durix Nael | |||||
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