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TYPE TALA GHARANA COMPOSER SUBMITTER DATE
Kaida Tintal Punjab Ustad Alla Rakha Amos Libby 08/01/98
COMPOSITION 

x                                   | 2                           |
Dhaa-TeRe KeTeTaKa TeReKeTe DhinNaa | GheNaa DhaaGhe TinNaa KeNaa |

0                                     3                           |
Taa-TeRe  KeTeTaKa TeReKeTe DhinNaa | GheNaa DhaaGhe GheNa GheNaa |
COMMENTS
"Nothing particularly difficult here...this composition was given to me by my teacher, Ustad Mulazim Hussain, disciple of Ustad Altaf Hussain, a classmate of Alla Rakhaji's under Ustad Kader Baksh." - Amos Libby

 

Essentially the same composition:

 

TYPE TALA GHARANA COMPOSER SUBMITTER DATE
Kaida Tintal Punjab Traditional/Allah Rakha Sajjad Chowdhry 08/11/98
COMPOSITION 


x                                        |
Dhaa-TeRe  KiTeTaKe  TeReKiTe  Dhin-Naa- |

2                                        |
Gi-Na-     Dhaa-Ge-  Tin-Naa-  Ki-Naa-   |

o                                        |
Taa-TeRe   KiTeTaKe  TeReKiTe  Tin-Naa-  |

3                                        |
Ki-Na-     Dhaa-Ge-  Dhin-Na-  Gi-Na-    |
COMMENTS
"The reason I wrote Traditional with Allah Rakha ji's name is because this piece is played by almost everyone in Punjab. Even if there are slight differences in the exposition of others it points to the Traditional character of the piece. Remember that the Ta in the second matra is on the syahi. This is a great practice piece!!" - Sajjad Chowdhry

 

 


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