Kaida in Tintal #6

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TYPE	TALA	GHARANA	COMPOSER	SUBMITTER	DATE
Kaida	Tintal	?	?	Roy Verges	12/16/98
COMPOSITION
x \| 2 \| o \| 3 \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| Taa Taa Te Te \| Dhaa Dhaa Tu Naa \| Variation 1 x \| 2 \| o \| 3 \| Dhaa Dhaa Dhaa Te \| Te Dhaa Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| x \| 2 \| o \| 3 \| Taa Taa Taa Te \| Te Taa Te Te \| Dhaa Dhaa Te Te \| Dhaa Daa Tu Naa \| Variation 2 x \| 2 \| o \| 3 \| Dhaa Dhaa Te Te \| Te Te Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| x \| 2 \| o \| 3 \| Taa Taa Te Te \| Te Te Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| Variation 3 x \| 2 \| o \| 3 \| Dhaa Te Te Te \| Te Dhaa Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| x \| 2 \| o \| 3 \| Ta Te Te Te \| Te Ta Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| Variation 4 x \| 2 \| o \| 3 \| Te Te Dhaa Te \| Te Dhaa Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| x \| 2 \| o \| 3 \| Te Te Taa Te \| Te Taa Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| Variation 5 x \| 2 \| o \| 3 \| Dhaa Tu Naa Dhaa \| Tu Naa Tu Naa \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| x \| 2 \| o \| 3 \| Taa Tu Naa Taa \| Tu Naa Tu Naa \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| Variation 6 x \| 2 \| o \| 3 \| Dhaa Tu Naa Dhaa \| Tu Naa Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| x \| 2 \| o \| 3 \| Taa Tu Naa Taa \| Taa Naa Te Te \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| Variation 7 x \| 2 \| o \| 3 \| Dhaa Dhaa Tu Naa \| Tu Naa Tu Naa \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| x \| 2 \| o \| 3 \| Taa Taa Tu Naa \| Tu Naa Tu Naa \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| Tihai x \| 2 \| o \| 3 \| Dhaa Dhaa Te Te \| Dhaa Dhaa Tu Naa \| Dhaa Dhaa Dhaa Dhaa \| Dhaa Te Te Dhaa \| x \| 2 \| o \| 3 \| Dhaa Tu Naa Dhaa \| Dhaa Dhaa Dhaa Dhaa \| Te Te Dhaa Dhaa \| Tu Na Dhaa Dhaa \| x Dha
COMMENTS
"Ganesh Prasad Gupta was given this kaida at the age of ten by his guru - it was the first kaida he ever learned. Ta is Dilli style, like Na. Te Te is like TiTa, played Purbi style." - Roy Verges

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